True condenser microphone set (cardioid).
-
Matched stereo set
-
Integrated switchable attenuation and low-cut filter
-
Powerful output thanks to high sensitivity
-
Excellent transient response
-
Handmade in Germany
At the end of the production process, the microphones are individually measured and then matched in pairs. A print-out of the measurement curves is included with your purchased stereo set.
The MC 930 true condenser microphone has a natural, balanced sound. Thanks to its detailed bass response and high-resolution trebles, the MC 930 is perfect for use with a wide range of different sound sources. Whether for acoustic guitars, piano, hi-hats, overhead, choirs, orchestras, vocals or solo instruments of all kinds – the MC 930 is impressive when used with almost any sound source.
Thanks to its switchable attenuation (-15 dB), the MC 930 can also be used with loud instruments. Disruptive bass frequencies and low-mid frequencies that are caused, for example, by impact sounds or proximity effects, can be minimised by the switchable low-cut filter of 6 dB/octave at 250 Hz. This microphone works with 11–52 V phantom power.
The MC 930 includes a handmade true condenser capsule. The gold-vapourised diaphragm used in this microphone has excellent vibration and impulse behaviour. This makes signals sound natural and precise throughout the session. The excellent transient response allows percussive sounds to be reproduced extremely quickly.
The MC 930 has one of the most powerful outputs (30 mV/Pa) among comparable microphones. This is a huge advantage, because it requires very little amplification.
The MC 930 boasts an almost frequency-independent cardioid polar pattern. This means it prioritises sound from the front over sound from the sides. When it comes to sound from the back, the cardioid pattern offers the best possible attenuation. This means that this microphone is less susceptible to crosstalk, i.e. from other nearby sound sources. Thanks to all of these features, the MC 930 can be used in the studio as well as live on stage.
